The Adventures of Don Valiente and the Apache Canyon Kid, John A. Aragon and Mary W. Walters

Today I am reviewing a book that is unique in it's approach to telling the story. Let me begin by saying  The Adventures of Don Valiente and the Apache Canyon Kid is NOT your daddy's western! I've long been a fan of both the authors, John A. Aragon and Mary W. Walters, and I did expect big things from this collaboration.  I was not disappointed!

 

The Blurb:

The West will never be the same . . . .

New Mexico, 1922.

The orphaned eighteen-year-old stablehand Rosalind Grundy is seduced by a married woman, and faces a lynching after the pair is surprised in flagrante delicto. But she manages to escape with the aid of a strange and aristocratic old man who calls himself Don Valiente.

Don Valiente, having read too many dime westerns, has come to believe that he is a famous gunfighter. He thinks Roz is a young man named Ross, and he takes her under his wing, intending to teach her and to revive "The Code Of The Caballeros."

Don Valiente and Roz embark on a series of comic adventures. But when they come upon a grisly murder scene and the trail of three escaped-convict killers, Roz realizes that her only chance to survive the imminent showdown and to reunite with her true love lies in her ability to separate Don Valiente's madness from the eternal truths in his teaching.

 

The Review:

Let me just say I fell in love with Don Valiente the moment he began speaking!  He is wild, wise and completely committed to living The Code of the Caballeros.  In one very moving scene, after Roz has been forced to kill a man in self defense, she sheds tears for her vanquished foe, wondering why he had to go and put himself in the position where she had to shoot him in self-defense. Don Valiente tells her that the path of the Caballero is full of compassion for the misguided souls he must usher into the next world. "Do you not think that the executioner does not recognise that even those who must pay for their bad deeds with their lives are also human beings, like him, who live, love, and know the beauty of creation?"

 

The wisdom Don Valiente imparts to Roz over the course of the tale is beautiful and moving. His spirituality is deep and is such a part of him that he has an enormous influence on his young apprentice. I myself have taken much of it to heart! His truths are universal, and as she begins to understand what he is trying to teach her, Roz begins to know who she is, and to be comfortable in her own skin.

 

Roz is young, beautifully human and is just a girl who is caught up in something that is so much larger than she is. Her motives are simple and honest. In reading this book, I felt every one of of Roz's trials and sorrows as if they were my own.  She's an unlikely hero, but she is the sort of hero that made the legends of the old west come to life.

 

The bad-guys in this tale are awesome, in part because they aren't all men.  Leta, Kruger and the Beast have few redeeming qualities, and they are quite frightening.  I never knew what they would do next. They are as nasty and evil as any villains I've ever met. 

 

If you are looking for a real adventure, a book that will widen your horizons and will keep you turning the pages into the wee hours of the night, this is definitely the book for you.

(sic) by Scott Kelly

I love the cover; it's simple and complex at the same time.

It's difficult to find a really well-written book that has a driving concept behind it. Some start with a great idea and others have beautiful prose, but to have both interwoven in one book is a rare, lovely thing. The Age of Miracles is one - the idea that the planet's revolution is gradually slowing sings out with lush phrases.

[sic] is another. The book is about a group of kids who play a game called Eureka, invented by David, the ringleader (more about him later.) In the game, if someone gets tagged "It," they must do something in the next fifteen minutes to completely change his life. Or her life. 

At first the game is simple - a damaged, gorgeous girl gets tagged and kisses a nerdy guy in front of everyone in the school, David switches paperwork between two McMansions. But as things progress, the game and the changes inflicted by the kids themselves become more and more trippy.

That's the concept, and it's a good one. A lesser writer would have created a decent manuscript that tells the story of the kids and the game as a compelling enough read. But this is Scott Kelly, who is a real wordsmith. Look at how he describes Kent's father, the landlord of the trailer park where the Eureka players all live:

Scott Kelly, the author

Kent's dad slept under an awning. Rolls of fat spilled out from the sides of the larn chair. Dad once warned me to stay away from Mr. Gimble - fairly easy advice to follow, because the landlord seemed violent and pissed off at all times.

A sweaty thatch of faded blondhair gave way to fat cheeks and thick jowls. What struck me most was how sad Kent's dad looked. Not mad at all. Just a defeated frown, like he was about to start bawling in his sleep. Like dreaming was torment. Like it hurt to be.

I could guess the cause of his nightmares: the landlord hated being alone with himself.

The narrator is Jacob. He frames the story as he speaks to police, to a youth psychologist, and also to us. [sic] begins with David's death, and throughout the book, Jacob is trying to describe what happened. I dare you to read that first paragraph and not want to find out what happens:

My personal savior is named David Bloom, and presently he's falling about ten stories from the top of a water tower. And my stupid stunned mind; all I can think is that he looks great doing it. Arms spread, fingertips extended, face serene - homicide by stage dive. His body returns to the earth below, the ten-story drop reducing him to a streak of white and blue cloth, brown hair blown back from closed eyes. Maybe he's smiling. Maybe I just like to think so.

By the way - the story is told in the past tense, a big plus for me. I'm not a present tense fan at all. After that first paragraph, the tense switches smoothly to the past, and Kelly makes it work. And the added concept of David's fall (or flight) is extended throughout the book, as Jacob seeks the blame for David's death: "I blame the death of David Bloom on the fact that after the math, David always won. His solar system spun, and we were trapped in its orbit."

David himself is the catalyst, although his influence extends through the other kids. He is attractive: 

David's skin shone against low-hanging sun, wisps of curled brown hair a halo charged by the dawn's light. Never got a haircut his mom didn't give, so it was shoulder-length, in calm curls. 

Angry almond eyes.

The other kids are vivid characters as well. There is Kent, the son of the landlord, who could have been a simple, static character but reveals layers of personality as the story unfolds. Cameron is the damaged beauty, molested by Kent's dad, who kisses Steven, the dweeby guy. There's Emily, the girl who is "all dyed black hair and army boots." She might be one of my favorite characters, even though she is dangerous - perhaps because she is dangerous - she refuses to put up with things as they are. Perhaps it is the reason that she embraces Eureka. The kids are the players : they are called the Six.

And then there is an outsider, Nora - an overweight girl that Jacob falls for. The description of her and the growing relationship between Jacob and the girl who refuses to play the game that takes over the lives of the Six. 

That creates a great tension between her and Jacob, although the other relationships (between Cameron and Kent, Emily and Jacob, and Jacob and David himself) are also explored deeply. 

It's as if Kelly stretches things, so we can see the thoughts and feelings behind the mumbled conversations and making out sessions between the members of the Six and Nora. He finds the "liminal spaces" (read the book to find out what that is) hiding in their interactions.

There were some sections that made me pause. For example, in the second half of the book, when David talks to the Six about his philosophy, he doesn't sound like a teen but a professor. I get that he is supremely intelligent (he paints impressions of music so you can almost hear it) but would a teen kid really say, "Change is the only constant, and so we must constantly change"?

I was also disappointed that Nora became a thin girl. Over the course of the book, she loses weight and shows off her mile-longlegs and her "athletic ponytail." I would have loved the originality if Jacob had continued to fall for her, pounds and all.

However, I must say that these flaws (along with one POV change and one over-compression of events) stood out BECAUSE the book is so good. If that lesser writer had offered the book, these would have been lost, as trash inside a messy trailer gets kicked to one side. In the glowing symphony of Kelly's book, I noticed them because of the beauty of everything else.

And let me mention here, before I forget, the soaring beauty of the grackle image - those birds that pick trash near the trailerpark. They occur throughout the book, and it is a lovely, sustained metaphor.

I would still highly recommend [sic] because of the concept, the writing, the characters - and the amazing ending. The book accomplished that rare thing - it entertained me and made me think, at the same time. 

You can purchase [sic] on Amazon or add it to your Goodreads list.

As well, read more about Scott Kelly's book on Facebook or his author website.

(This review was previously published on Fresh Pot of Tea.)

Flight of the Griffin, C.M. Gray

Flight of the Griffin - C. M. Gray -

Flightof the Griffin by author C. M. Gray  is a wonderful adventure for young teens but I found it fine for all ages. It is the end times for the world, and the tale opens when Pardigan, the boy- thief, steals a knife and a book from a merchant’s locked cabinet and sets the events into motion. Quint, the leader of his group of friends is the strongest and is a fighter. Loras is the boy-magician whose master died before Loras could learn what he needed to know and who’s magic never works right. Tarent is a dreamer, a storyteller and he keeps the other boys’ spirits up when times are hard.  Orphans all, they live on the abandoned boat, The Griffin.

Along with the knife and other loot from the merchant’s house, Pardigan has also gained a strange, magical talking cat named Mahra.  This cat who changes back and forth from a girl, to an owl, to a cat, depending on her mood, knows how to unlock the secrets of the magical knife and book. They do as they are told to and become the Magician, Thief, Priest and Fighter, four heroes with a task to right the balance of the world which must have equal amounts of Order and Chaos.  They have been chosen to be the Soldiers for Order and to oppose Chaos in a quest that pits them against magic, demons and ‘The Hawk,’ an evil hunter of men.

I really like the way the four boys are real – they are written as boys are, unfinished and not quite men yet, but the promise of their adulthood is there in each of them.  Mahra is an old soul (literally hundreds of years old) and is written as such, but she is also young in many ways.

The travels and adventures the boys and Mahra have are well written and believable.  The scenery and the backgrounds against which the tale takes place are rich and yet not overdone.  I would recommend this book to anyone who simply loves a good adventure.

 

Ednor Scardens, Kathleen Barker

Book 1 of the Charm City Chronicles,  Ednor Scardens by Kathleen Barker takes place in Baltimore in the nineteen sixties. The title is a play on words; a twist on the name of the neighborhood in which the protagonist, Kate Fitzgerald and her friends live: Ednor Gardens. The story begins as Kate and her chums are leaving the sixth grade in their coed parochial school. Kate comes from a working class catholic family, she and her mother live with her grandmother, with no father in the home; he was killed in the service before she was born.

Kate has developed breasts, and as such she is the envy of all her girlfriends, and the object of scrutiny by all the boys. She lives with her mother and grandmother, in a loving and supportive family, and has the usual problems and worries that girls of that age have. She develops a crush on both Gabe and Michael, who just happen to be brothers. During her last years at her coed school a new priest joins the faculty; one who is a danger both to boys and to girls.

Boys are never-ending source of mystery and trouble for Kate.  There is plenty of the real-life misbehaving which I remember in my own teen years, and the general partying and abuse of alcohol among her and her set of friends is much as I remember in my small town set of friends.

This is not by any means simply a novel of fond reminiscence, however – Ednor Scardens deals with the issues which plague girls today – the temptations and pitfalls of life are trans-generational.  Teenage girls and boys all struggle with the desire to remain chaste, and yet they struggle with their own physical changes and the wants and needs which those changes bring with them. Each teenager deals with those issues in their own way, and Kate’s personal struggles make for a wonderful coming of age tale.

The small dramas which happen in their daily life are every bit as entertaining as are the larger dramas; and are very real in the way they are portrayed. There is so much humor and love between Kate and her friends that the reader lives the story with them. The dark side of this story (and there IS a dark side), is handled very well.

I highly recommend this book to anyone who loves a well-crafted romance. You won't be able to put it down until you have reached the end!  Kathleen Barker has just published the second book in the Charm City Chronicles series, The Body War.